Seth MacFarlane created The Orville in part to carry on the tradition of allegorical storytelling that Star Trek, The Twilight Zone, and other science fiction series have pioneered on television over the decades.— André Bormanis[1]
With a science fiction show, as Gene Roddenberry once said, "The basis of your series is the galaxy. And there are quite a few stories out there."— Seth MacFarlane[2]
Producers, cast, and other staff have always acknowledged that development of The Orville was influenced by previous works.
The most important influence is the science-fiction franchise Star Trek. Production staff view The Orville to be an "homage" or re-interpretation of "source material" found in the franchise,[n 1] and executive producer Brannon Braga even went so far as to say that creator Seth MacFarlane had been a huge fan of Star Trek and "created his own version of it" through The Orville.[n 2] However, many other important movies, television shows, books, and works shaped the creation and production of the show that should not be overlooked, including Star Wars, M*A*S*H, Alien, and So You've Been Publicly Shamed, among many others.
The motivations to use, modify, or refer to prior artistic creations are complex. Producers, critics, and fans are sometimes too eager to point to Star Trek; many similarities are in fact coincidences, and both shows often borrowed from earlier sources. For example, as Seth MacFarlane pointed out, both The Orville and Star Trek: The Next Generation feature a captain leading a bridge crew, but the idea of a bridge crew traveling through space dates back to the 1930s. Sources of inspiration are not reducible to one or even several shows.[3]
Many other sources of inspiration abound. The Orville's alien species were personifications of human religious and political philosophies like Christianity, Islam, astrology, and (in the comic books) the agendas of Presidents George W. Bush and Donald Trump. Spaceships were frequently inspired by 20th century science-fiction works like Alien; and MacFarlane openly attempted to re-capture the "tonal balance" of comedy and drama in M*A*S*H and Defending Your Life.[4]
Creating the world of The Orville[]
Many of the elements behind the show have parallels in previous works, especially in science fiction. "There's no getting around that there's some Star Trek inspiration in this show," executive producer David A. Goodman bluntly stated at the 2017 New York City Comic-Con. "There's no getting around that MacFarlane wanted an uplifting show that presented a positive view of the future, which is what Roddenberry [creator of Star Trek] said about his original show. So they share that philosophy."[5]
One of the most fundamental cues taken from Star Trek was the elimination of money with the advent of matter synthesis. First Officer Kelly Grayson states in New Dimensions and All the World is Birthday Cake that money disappeared in a post-scarcity economy, so reputation became society's new currency. As creator Seth MacFarlane put it,
It was important to take a cue from Gene Roddenberry [creator of Star Trek] that somehow we’ve gotten past money. Money can’t be a factor. It’s too primitive. I really love that, in "Star Trek," reputation becomes the main form of currency in the absence of money. When you think about it, it’s not the warp drive, it’s not the transporter, it’s the replicator. We give a little nod to that in "The Orville."[6]
In fact, the matter synthesis is even called 'replication' on rare occasions.[7] Star Trek: The Original Series had food synthesizers aboard starships, which may have been responsible for Food Synthesizers and Matter Synthesizers.
Ships travel faster than the speed of light thanks to a quantum drive, a space-folding technology based on the Alcubierre warp drive.[8] (Fans and journalists often mistakenly state that the quantum drive was based on Star Trek's warp drive.) Both shows call the era of Earth before faster-than-light travel "Old Earth."[n 3]
Both Planetary Union and Federation officers follow a set of ethics that refrains from killing unless absolutely necessary. As MacFarlane told Forbes,
I’m a huge fan [of Star Trek] and always have been. Gene Roddenberry’s philosophy was always very meaningful to me when I was a kid. I always loved that the phasers were set on stun. That was something you really only saw on that show. That there was actually an ethical code, that it wasn’t about just shooting faceless bad guys. It was about respect for life. That was the philosophy of the show, and I swear to God that’s the reason that if I find a spider in my house, I've got to put it outside. I can’t kill it.[9]
The planet Xelaya may be rooted in Star Trek's Mount Seleya, a holy site to the Vulcans. The Vulcans themselves are an extremely strong humanoid species with pointed ears, much like Xelayans.
Jahavus Dorahl says an ion storm seriously damaged the Bio-ship in If the Stars Should Appear. Ion storms are a frequent hazard encountered by spaceships in Star Trek, first occurring in The Galileo Seven and receiving the name "ion storm" in Court Martial (note that this episode was probably responsible for the plot twist in Deflectors).
In both shows, officers work in sections such as Command and Security, indicated by uniform color. Rank, on the other hand, is indicated by epaulets or other insignia. Union officers have access to the PM-44 as a standard weapon, while colonists are restricted to the older and weaker PM-32 model.[10] Similarly in Star Trek, colonists have access only to Phaser 1 while officers have Phaser 1 and the stronger Phaser 2.[11]
The Orville as an "anti-Star Trek" show[]
Many in the creative team behind The Orville explicitly rejected aspects of earlier works. Consequently, producers like Brannon Braga considered The Orville to sometimes be an "anti-Star Trek" - a rejection of "[Gene] Roddenberry's universe."[12] The protagonists of Star Trek are usually emotionally stable, level-headed, "paragons" of virtue, while The Orville embraces characters with "neurotic foibles and relationship problems" to generate comedic tension.[12] Further, The Orville writers who worked on earlier Star Trek shows like The Next Generation explicitly rejected its reliance on technobabble and deus ex machina technology to create or resolve conflict.[12]
Teleportation technology is widely used on Star Trek as the "transporter," while on The Orville teleportation is available only to a select, highly advanced species like the Calivon and the Kandarians. "The transporter, that is a distinct Roddenberry invention and a brilliant one and we weren’t comfortable doing that," Braga noted. "There can be no doubt we are paying tribute to the Star Trek ethos – and others such as The Twilight Zone ethos – but we don’t just want to rip shit off."[12]
Religious influences on The Orville[]
The Orville is highly critical of religious beliefs and systems used to justify controlling the behavior of others, especially conservative political Christianity and Islam. The most obvious example are the Krill species, who represent fundamentalist Islam and, according to Seth MacFarlane, philosophies of Islam that resort to terrorism.[13] The Krill follow the teachings of Avis as described in the Anhkana much like Muslims follow the teachings of Allah as described in the Koran. Early Krill were more moderate believers but they radicalized after the advent of space flight and first contact with other civilizations, perhaps mirroring moderate Islam during its Golden Age and its turn to religious conservatism in subsequent centuries. By the 24th century, most Krill believed Avis commanded the destruction of all non-Krill as they were "without a soul." Whether the Krill would accept a non-Krill who followed Avis was left an open question in New Beginnings, Pt. 1. Sometimes writers would use other religions for inspiration. For example, First Officer Kelly Grayson refers to the Bible, specifically Genesis 1:26, when she contrasts the Krill against earlier Earth beliefs about subjugating animals.
The language of science fiction[]
The Orville tells allegorical stories or parables that contrast 20th century America against a utopic vision of the future. Themes include sexual orientation, gender and sex, peace after war, and the place of religion in political discourse. Writers turned not only to Star Trek to weave allegories into the plot, but also to The Twilight Zone.[14] The show's producers have consistently pointed out that many elements of The Orville are common the genre, which executive producers like Braga say:
There is a language of this type of show. The actual nouns and verbs may vary, but the essential language goes way back to Issac Asimov and Amazing Stories, Jules Verne, Star Trek, Forbidden Planet, Star Wars, Alien movies, and the list goes on.[12]
Many shows feature a crew exploring space and meeting alien species. Space vessels in both Star Trek and The Orville have decks arranged by letter (e.g., Deck C). In these cases, even if an idea had been drawn from a particular source, so many other works use a substantially similar idea that it is impossible to guess whence an idea sprung.
Episode plots[]
Writers behind the show rarely acknowledge the influence of previous works upon The Orville's story (as opposed to composers, who regularly discuss musical references to earlier scores). Regardless, many episode plot points so closely mirror earlier works that critics and fans consider the influence highly likely.
Please note that assertions of influence are speculative unless confirmed by the show's creators.
Season 1[]
Episode | Source | Source Episode | Influence |
---|---|---|---|
Old Wounds | Star Trek: The Next Generation | Encounter at Farpoint |
|
Old Wounds | Star Trek: The Original Series | The Menagerie | Spock falsifies a message to take the USS Enterprise to Starbase 11. Doctor Aronov falsifies a re-supply request to the Planetary Union to bring the USS Orville to Epsilon 2. |
Old Wounds | Star Trek: The Original Series | The Trouble with Tribbles |
|
Command Performance | Star Trek: The Original Series | The Menagerie |
|
Command Performance | Star Trek: Voyager | Body and Soul | Director Robert Duncan McNeill stated Seth MacFarlane modeled Command Performance's "tone" after this episode.[15] |
Command Performance | Star Trek: Voyager | Someone to Watch Over Me | Director Robert Duncan McNeill stated Seth MacFarlane modeled Command Performance's "tone" after this episode.[15] |
About A Girl | Star Trek: The Next Generation | The Outcast | The J'Naii hold a tribunal to determine whether Soren will be forced to submit to gender preference therapy. The Moclans hold a tribunal to determine whether Topa will be forced to submit to gender reassignment surgery. |
If the Stars Should Appear | The Sound of Music | - | Seth MacFarlane stated he tried to imitate this movie's mix of "cynicism and warm fuzziness."[16] |
If the Stars Should Appear | Star Trek: The Original Series | The Corbomite Maneuver |
|
If the Stars Should Appear | Star Trek: The Original Series | The Return of the Archons |
|
If the Stars Should Appear | Star Trek: The Original Series | For the World is Hollow and I Have Touched the Sky |
|
Pria | Star Trek: The Original Series | Mudd's Women |
|
Pria | Star Trek: The Next Generation | A Matter of Time | The time-traveling antiquities thief Pria Lavesque, who posed as a mining captain, resembles Berlinghoff Rasmussen, a time-travelling thief who poses as an historian to trick the crew of the USS Enterprise. |
Pria | Star Trek: The Next Generation Star Trek: Deep Space Nine |
Multiple (recurring character) | Pria Lavesque, an antiquities thief and love interest to Captain Ed Mercer, resembles Vash, an archaeologist who sold relics for profit and won the love of Captain Jean-Luc Picard. |
Krill | Star Trek: The Next Generation | Face of the Enemy | Deanna Troi is surgically disguised as a Romulan and infiltrates a Romulan Ship. Mercer and Malloy are holographically disguised as Krill and infiltrate a Krill ship. |
Majority Rule | So You've Been Publicly Shamed | - | Seth MacFarlane has acknowledged the plot of the episode was inspired by the book So You've Been Publicly Shamed by Jon Ronson.[17] |
Into the Fold | Star Trek: The Original Series | The Galileo Seven |
|
Into the Fold | Star Trek: Enterprise | Dawn | Trip Tucker is stranded by shuttle on one of dozens of moons of a gas giant, and the crew of the USS Enterprise is forced to scan every moon in search of him. Claire Finn, her sons, and Isaac crash their shuttle on one of 32 moons of a gas giant, and the crew of the USS Orville is forced to scan every moon in search of them. |
Cupid's Dagger | Star Trek: The Original Series | Journey to Babel |
|
Cupid's Dagger | Star Trek: The Original Series | Elaan of Troyius | A marriage arranged to unite two hostile planets is derailed when the bride's tears touch Captain Kirk. The tears are "a super love potion" that does not wear off. Testing of the birthing bucket to bring peace to the Navarians and Bruidians is derailed when Darulio's Retepsian pheromones touch Captain Ed Mercer and Kelly. The pheromones are a powerful aphrodisiac that wear off after a week. |
Cupid's Dagger | Star Trek: The Animated Series | Mudd's Passion | In both episodes, a powerful chemical (in the case of Mudd's Passion, an aphrodisiac, and in Cupid's Dagger, pheromones) will slowly create a powerful romantic attraction between host and recipient once they physically touch one another. |
Cupid's Dagger | Star Trek: Deep Space Nine | Fascination | Lwaxana Troi's emotions of love spread to several other nearby characters, causing romantic partnerships. Darulio's pheromones spread to Ed, Kelly, and Claire, causing romantic hookups. |
Firestorm | Star Trek: The Next Generation | Ship in a Bottle | Picard, Data, and Barclay are trapped in a holographic simulation of the Enterprise, which they think is the real Enterprise. Kitan is trapped in a holographic simulation of the Orville, which she thinks is the real Orville. |
New Dimensions | Star Trek: The Next Generation | The Loss | The Enterpise encounters spaceborne entities that exist only in a two-dimensional plane. The Orville encounters a spatial anomaly in which everything is compressed to a two-dimensional plane. |
Mad Idolatry | Star Trek: The Next Generation | Who Watches the Watchers | When a Federation observation team heals a primitive Mintakan, another Mintakan inadvertently witnesses it leading the Mintakans to deify Captain Jean-Luc Picard as "the Picard." When First Officer Kelly Grayson heals an injured girl on a primitive planet, others from the girl's tribe witness the healing and deify the commander as "Kelly." |
Mad Idolatry | Star Trek: Voyager | Blink of an Eye |
|
Mad Idolatry | Star Trek: Deep Space Nine | Meridian | The Defiant discovers a planet, Meridian, that shifts between two dimensions due to fluctuations caused by its sun. Meridian is corporeal for twelve days every sixty years. The Orville discovers a planet whose orbit carries it between two universes while its sun exists in both. It exists in the Orville's universe for less than a day, once every 11 days (as perceived by the Orville) or every 700 years (as perceived by the planet). |
Season 1.5[]
Episode | Source | Source Episode | Influence |
---|---|---|---|
The Word of Avis, Pt. 1 | Star Trek: The Original Series | The Way to Eden |
|
Season 2[]
Episode | Source | Source Episode | Influence |
---|---|---|---|
Ja'loja | Star Trek: The Original Series | Amok Time |
|
Ja'loja | Casablanca | - | Rick in the movie Casablanca finds himself alone, miserable, and aimless in a bar throughout the movie, much like Ed Mercer. The movie's pivotal song "As Time Goes By" appears at multiple points in the episode. |
Primal Urges | Star Trek: The Next Generation | Qpid | Seth MacFarlane and Brannon Braga rejected Star Trek's idea of a holodeck seen in Qpid, where the cast uses the holodeck to play Robin Hood. Instead, MacFarlane and Braga believed people would use the Environmental Simulator to masturbate, and the idea of Bortus' sex addiction came from this.[19] |
Primal Urges | Star Trek: The Next Generation | Contagion | The Enterprise and the Haakona are disabled by a computer virus from the Iconian probe. The Orville is disabled by a computer virus from Bortus' porn downloads. |
Nothing Left on Earth Excepting Fishes | Star Trek: The Original Series | The Corbomite Maneuver | Captain James Kirk bluffs against a superior foe that he has a substance called corbomite, capable of destroying any attacking ship through a reverse reaction of energy. Gordon Malloy bluffs against a simulated Krill captain that he has a new deflector, capable of returning any attack. |
Nothing Left on Earth Excepting Fishes | Star Trek: Voyager | State of Flux | Chakotay's girlfriend Seska, a character established in earlier episodes, is exposed as a surgically altered Cardassian infiltrator. Mercer's girlfriend Janel Tyler, a character established in earlier episodes, is exposed as a surgically altered Krill infiltrator. |
Nothing Left on Earth Excepting Fishes | Star Trek: Deep Space Nine | The Ascent | Quark and Odo must climb a mountain to signal for rescue after a shuttle crash. Mercer and Teleya must climb a mountain to signal for rescue after a shuttle crash. |
All the World is Birthday Cake | Star Trek: The Next Generation | Encounter at Farpoint | Captain Jean-Luc Picard meets his new first officer, William Riker, and brings up a past incident in Riker's history where he refused to allow his captain beam down to a dangerous planet. Riker did this not because he did not respect the captain's authority, but because the safety of his captain takes priority over obeying orders. Picard asks if he will back down from that policy, which Riker refuses.
Captain Ed Mercer and First Officer Kelly Grayson meet their new chief of security, Talla Keyali, and bring up a past incident in Keyali's history where she knocked out her captain when encountering the fiercely matriarchal Janisi. Keyali did this not because she does not respect the captain, but because the safety of the ship takes priority. Ed asks if she will back down from that policy, which Keyali refuses. |
A Happy Refrain | Star Trek: The Next Generation | In Theory | Isaac's relationship with Claire Finn has been compared to Data and Jenna D'Sora. Jenna pursues a relationship with Data, an android. The two date until Jenna realizes she is unhappy. Data behaves erratically to find a response to appease her. Jenna breaks up with Data. |
Deflectors | Star Trek: The Original Series | Court Martial |
|
Deflectors | Star Trek: The Next Generation | The Outcast |
|
Identity, Pt. 1 | Star Trek: The Original Series | What are Little Girls Made Of? |
|
Identity | Star Trek: The Next Generation | Descent | Previously friendly android Data suddenly becomes hostile towards the crew; two-part episode. Previously friendly robot Isaac suddenly becomes hostile towards the crew; two-part episode. |
Blood of Patriots | Star Trek: The Original Series | Menace of the Moloth (comic book) |
|
Lasting Impressions | Star Trek: The Next Generation | Booby Trap | Geordi falls for a holographic recreation of Leah Brahms. Malloy falls for a holographic recreation of Laura Huggins. |
The Road Not Taken | Star Wars | - | Obvious stylistic imitation of the Star Wars films A New Hope, The Empire Strikes Back, and Return of the Jedi where the Kaylon resemble the Empire, the Resistance mirrors the Rebel Alliance, and Kelly Grayson's crew attempt to restore the timeline resembles Luke Skywalker and his friends attempt to overthrow the Empire and restore balance to the Force. |
Season 2.5[]
Episode | Source | Source Episode | Influence |
---|---|---|---|
Launch Day, Pt. 1 | 2003 invasion of Iraq | - | The Krill attempt a preemptive strike on the Alibar system and a large "construct" shrouded behind quantum interference. Both the Krill and many in the Planetary Union believe that only an attack will ensure everyone is safe - even if that means innocent lives will be lost if the construct is peaceful. The plot mirrors the United States' justification for the 2003 invasion of Iraq to root out putative weapons of mass destruction proved not to exist only after hundreds of thousands of lives were lost. |
Launch Day, Pt. 1 | Star Wars: A New Hope | - | Robert Keough of Screen Rant argued that the Alibar's Construct is meant to resemble the Death Star in Star Wars: A New Hope, and that Captain Kratok's use of the word 'parsec' pokes fun at an infamous misuse of the word in the movie.[20] |
Launch Day, Pt. 2 | Political views of Donald Trump | The Alibar leader Pret campaigned on a platform of xenophobia and promised to build a "wall" separating the planet from the rest of the universe. He likely represents Donald Trump, President of the United States, who campaigned on a platform of fear and resentment of Latino immigrants and promised to build a wall between Mexico and the United States. |
Season 3[]
Episode | Source | Source Episode | Influence |
---|---|---|---|
Future Unknown | Star Trek: The Original Series | Balance of Terror | Ed's final wedding speech is taken from Captain James Kirk's wedding speech. |
Cast and crew[]
According to Jonathan Frakes, who played Will Riker in Star Trek: the Next Generation and is a frequent director for the Star Trek franchise and who directed two episodes of The Orville, the production team attempted to mimic the look and feel of Star Trek: TNG through "traditional framing" while filming[21] and by hiring key creative team members from the Star Trek franchise of the 1990s. He continued that Seth MacFarlane
clearly wanted [The Orville] to look like [The Next Generation]. So, he hired the cinematographer [Marvin Rush] and the camera operator, and Brannon Braga, who wrote First Contact among other things that are fabulous. Robbie Duncan McNeill, one of our wonderful directors from Voyager, James Conway, who directed a bunch of great Next Gen episodes; he hired me. He filled the room with Next Gen people so that the show would look and feel like it. I think he did it.[22]
Several months later, an interviewer told James Conway that the episode of The Orville he directed, If the Stars Should Appear, felt much like a "parody homage" to Star Trek. Conway replied,
Yeah, that's why I was there. Brannon Braga was also one of the show writers with Seth, and he, of course, was an executive producer of Voyager, Enterprise, and [Deep Space Nine], and he was Rick [Berman's] partner for many years. They reached out to me to direct episode two of the show. Marvin Rush, who was the DP on all the different Star Trek shows - I did the Enterprise pilot, Marvin was my DP on that - he came on to be the DP for Orville. So he and I fashioned this show on stage... and it was because of my Star Trek past that they hired me.[23]
Jonathan Frakes has the unique distinction of directing episodes for both The Orville and the Star Trek TV franchise during the same TV season.
The Next Generation | Deep Space Nine | Voyager | Enterprise | Other | |
---|---|---|---|---|---|
Executive Producers | |||||
Seth MacFarlane | Actor | ||||
Brannon Braga | Producer | Producer | Co-creator | Star Trek: Generations; Star Trek: First Contact | |
David A. Goodman | Writer | Futurama; numerous Star Trek books | |||
Producers (other) | |||||
Joe Menosky | Producer | Writer | Producer | ||
Jason Roberts | DGA Trainee | Babylon 5 | |||
Ryan Ford | Firefly | ||||
James E. Williams | Firefly; many smaller science-fiction projects |
The Next Generation | Deep Space Nine | Voyager | Enterprise | Other | |
---|---|---|---|---|---|
Main Cast | |||||
Seth MacFarlane (Ed Mercer) | Actor | ||||
Penny Johnson Jerald (Claire Finn) | Actress | Actress | |||
Scott Grimes (Gordon Malloy) | Actor | ||||
Recurring Cast | |||||
Chad L. Coleman (Klyden) | The Expanse | ||||
Victor Garber (Tom Halsey) | The Twilight Zone | ||||
Ron Canada (Tucker) | Actor | Actor | Actor | Stargate SG-1; Babylon 5 | |
Molly Hagan (Drenala Kitan) | Actress | ||||
Will Sasso (Mooska) | Doctor Who | ||||
Robert Picardo (Ildis Kitan) | Actor | Actor; Writer | First Contact; Stargate SG-1; Stargate: Atlantis; many small science-fiction projects | ||
Rena Owen (Heveena) | Star Wars: Attack of the Clones | ||||
J. Paul Boehmer (High Priest; Navarian Ambassador) | Actor | Actor | Actor | ||
Jason Alexander (Olix) | Actor | The Twilight Zone; many small science-fiction projects; also impersonated William Shatner as Capt. Kirk for a Star Trek-related TV special | |||
Fred Tatasciore (Krill Voice) | Star Trek: Into Darkness; Star Trek: Lower Decks; numerous science-fiction projects | ||||
Chase Kim (Officer) | Actor | ||||
Wren T. Brown (Rechik) | Actor | ||||
Stephen Blackhart (Krill Second Officer) | Actor | Actor | |||
The Next Generation | Deep Space Nine | Voyager | Enterprise | Other | |
Guest Cast | |||||
Steven Culp (Willks) | Actor | Star Trek: Nemesis (deleted scene); Stargate: Atlantis | |||
Brian George (Aronov) | Actor | Actor | The Expanse; numerous science-fiction projects | ||
Jeffrey Tambor (Bert Mercer) | The Twilight Zone; Max Headroom | ||||
Brian Thompson (Drogen) | Actor | Actor | Star Trek: Generations | ||
F. Murray Abraham (Chairman) | Star Trek: Insurrection | ||||
Robert Knepper (Hamelac) | Actor | Actor | The Twilight Zone; Stargate Universe | ||
Joel Swetow (Krill Captain) | Actor | Actor | Stargate SG-1; many small science-fiction projects | ||
Tim Russ (Sherman) | Actor | Actor | Actor; Director | The Twilight Zone; Star Trek: Generations; many small science-fiction projects | |
James Horan (Sazeron) | Actor | Actor | Actor | Actor | Numerous science-fiction projects |
John Billingsley (Cambis Borrin) | Actor | ||||
Erica Tazel (Baleth) | Firefly | ||||
Lamont Thompson (Kaybrak) | Actor | ||||
John Fleck (K.T.Z.) | Actor | Actor | Actor | Actor | |
John Rubinstein (First Prefect) | Actor | Actor | |||
Philip Anthony-Rodriguez (Fadolin) | Actor | ||||
Derek Mears (Bruidian Ambassador) | Actor | ||||
Brett Rickaby (Lurenek) | Actor | ||||
JD Cullum (Calivon Zoo Administrator) | Actor | ||||
Loren Lester (Lewis) | Actor | ||||
Tony Todd (Dojin) | Actor | Actor | Actor | Andromeda; numerous science-fiction projects | |
Robert Curtis Brown (Makkal) | Actor | Babylon 5 | |||
Regi Davis (Korick) | Actor | ||||
D. Elliot Woods (Moclan Council Foreman) | Actor | Actor | Star Trek: Insurrection | ||
Mark Graham (Conductor) | Star Trek: Nemesis; Star Wars: Attack of the Clones | ||||
Rico E. Anderson (Moclan Doctor) | Star Trek | ||||
Marina Sirtis (Schoolteacher) | Actress | Actress | Actress | Actress | Star Trek: Nemesis; Stargate SG-1; Star Trek: Insurrection; Star Trek: Generations: Star Trek: First Contact; numerous science-fiction projects |
Gwen Van Dam (Grandmother) | Star Trek: Generations | ||||
Matt Kaminsky (Interviewer) | Actor | ||||
Liam Neeson (Jahavus Dorahl) | Star Wars: The Phantom Menace; numerous science-fiction projects |
Music[]
Other influences[]
See also[]
- L. Brooke Rudow, "Is The Orville ... Star Trek?", chapter in Exploring The Orville, pg. 6
- 10 Times The Orville "Borrowed" From Star Trek, video by WDIM Sci-Fi Movie and Series Breakdowns
Notes[]
- ↑ Tom Costantino: "Everyone [in the production team] for the most part knew where the line was, and it was part homage and part turning [Star Trek] on its head." INTERVIEW - Tom Costantino: THE ORVILLE, editing and the lockdown. TREK on the TUBE. Dec. 4, 2020.
- ↑ INTERVIEW WITH BRANNON BRAGA (2020) – Ep. 11. Twin Flicks. June 2, 2020. He also stated that MacFarlane sought not to "mimic" Star Trek: The Next Generation, but to "capture a certain kind storytelling and a certain aspirational ethos that was missing from what’s out there now." Tuthill, Matt. "Brannon Braga: The Robert Irvine Magazine Interview". Robert Irvine Magazine. March 17, 2020.
- ↑ See e.g., The City on the Edge of Forever in Star Trek: The Original Series.
References[]
- ↑ Exploring The Orville
- ↑ [[Weintraub, Steve. "Seth MacFarlane on ‘The Orville: New Horizons,’ Directing While Acting, and Why He’s Grateful to Hulu [Exclusive]". Collider. July 2, 2022.]]
- ↑ "Seth MacFarlane + Creative Team of The Orville". Talks at Google. Nov. 16, 2017.
- ↑ "SDCC 2017: The Orville - Adrianne Palicki, Seth McFarlane". Whedonopolis. July 26, 2017.
- ↑ "NYCC 2017: Brannon Braga & David A. Goodman - The Orville". WithAnAccentTV. Oct. 13, 2017.
- ↑ Saadia, Manu. "Seth MacFarlane Discusses “The Orville,” “Star Trek,” and the Struggle to Make Science Fiction Funny". The New Yorker. Sept. 9, 2017.
- ↑ See, e.g., Olix in Ja'loja.
- ↑ "The Orville Fan Podcast “THINK”sgiving Episode w/ André Bormanis". Planetary Union Network. Nov. 21, 2017.
- ↑ Kain, Erik. "Interview: Seth MacFarlane On The Orville's Unique Tone, 'Star Trek' Roots". Forbes. Sept. 16, 2017.
- ↑ Bond, Jeff. The World of the Orville. Titan Books. 2018. Pg. 62.
- ↑ The Devil in the Dark in Star Trek: The Original Series.
- ↑ 12.0 12.1 12.2 12.3 12.4 Pascale, Anthony. "Interview: Brannon Braga On How ‘The Orville’ Pays Tribute To Star Trek While Setting A New Course". TrekMovie. Sept. 12, 2020.
- ↑ "Mindscape 58 | Seth MacFarlane on Using Science Fiction to Explore Humanity". Sean Carroll. Aug. 5, 2019.
- ↑ "The Orville Producers Interview (Comic Con)". Showbiz Junkies. July 28, 2017.
- ↑ 15.0 15.1 Ulster, Laure. "Interview: Garrett Wang & Robert Duncan McNeill On Tuvix, Lizard Babies, & ‘Star Trek: Voyager’ Podcasting". TrekMovie. June 17, 2020.
- ↑ "Seth MacFarlane thinks mixing sci-fi and comedy is 'tricky'". Associated Press. Aug. 10, 2017.
- ↑ Tomashoff, Craig. "Scribes on 'Handmaid's Tale,' 'Westworld' and 12 More Shows Reveal Secrets From the Writers Room". The Hollywood Reporter. June 15, 2018.
- ↑ @SethMacFarlane. "For the sci-fi deep divers: Tonight’s show contains a little nod to writer Theodore Sturgeon, who was blending sci-fi and comedy before any of us #theorville". Twitter. Dec. 30, 2018.
- ↑ Seth MacFarlane at The Orville panel. San Diego ComicCon, 2017. July 20–23, 2017.
- ↑ Keough, Robert. "Unlike Star Wars, The Orville Actually Knows What a Parsec Is". Screen Rant. Sept. 12, 2020.
- ↑ Miller, Liz Shannon. "From ‘The Orville’ to ‘Star Trek: Discovery,’ ‘Librarians’ Director Jonathan Frakes Has Found Massive Range Within the Realm of Sci-Fi". IndieWire. Dec. 21, 2017.
- ↑ Anderson, Jenna. "Jonathan Frakes on How 'Star Trek: Discovery' & 'The Orville' Fill Different Voids". ComicBook. March 28, 2018.
- ↑ "Supplemental 10: Interview with James L. Conway". Spocklight: A Star Trek Podcast. June 3, 2018.